Tag Archives: Theatre

Amber Topaz: The Rude Awakening

Image © Amber Topaz

When I first saw the poster, I was suspicious of my husband’s motive for wanting to go to this (though he tried to convince me I would want to go too if I had joined them in their podcast where they interviewed Amber Topaz). MEN! – I harrumphed. 🤤🙄

Well – curiosity won and I said yes to going for the show. She was sultry and sassy, as expected. But I was swept off my feet by her warmth, vulnerability, and beauty. 💘

She told her story and she did an amazing job in portraying the wonder of WOMEN! and of the human experience. 💎

🛫 WELLINGTON (NZ) she is headed to you next week and she doesn’t know anyone in NZ … so I said I would help spread the word 

More details here


Cool Behaviour


Are you cool? Am I cool? Are they cool? 

Last night I invited my friend Justin – a Kiwi back from his other home Edmonton – to join me at Q for “Cool Behaviour”. We were ushered into the cosy, warm space that is the Vault … to a table at the front. Uh-oh. My heart skipped a beat at the possibility of having to do the dreaded audience participation stuff. This, before it even started. I distracted myself with the bright thought that Justin was seated in a more convenient spot to be picked. Ha!

With no due warning the play commenced and two bold, quirky, beautiful “Doctors of Cool” burst out on the stage, and there was no time to retreat … to consider an ‘out’. We may not have signed up for it, but we were in. We were enrolled – as students, guinea pigs, dare I say disciples! – at the School of Cool.

For a brief and glorious hour, comedy duo Ava Diakhaby and Frith Horan charmed, chided, humoured and enlightened us through multiple genius acts – with energetic song, dance, rap and more.

I laughed more than I expected to, I had so much fun!

Justin wished to award it “five stars”. I think back to a certain sea of Doritos stars I saw scattered across a dark surface last night, and indeed I feel like showering both Ava and Frith with stars.

Are we cool? Are we even close? Why yes, now that we’ve walked out those doors changed people … I think we are.

Producer: Alice Kirker
Stars: Frith Horan (Actor/Writer; Mating in Captivity, Album Party), Ava Diakhaby (Actor/Writer; Flaps, ATC’s Boys)
Dates: 22-24 February, 8:45pm
Venue: Q Theatre Vault, 305 Queen St, Auckland
Ticket $: $18-$22 (service fees may apply)
Bookings: here or phone 09 309 9771
More info
Auckland Fringe
Image © Q Theatre website
This post has also been published on NZ Entertainment Podcast.

Chance to Ignite

Spirited, raw, spontaneous.

With poetic prose and energetic dashes of boxing and jujitsu, seven young stars take turns in the spotlight, inviting us into their stories. Hunger for their ‘spark’ moves the narrative along and the cast takes the audience on a journey that explores emotions around their inner battles. Sitting in the front row [at Q Theatre] we look right into their eyes, the windows to their souls, as they wax lyrical on dating, death, loneliness, being alone in nature, being ‘good’, being afraid and more. At one point I notice the sudden tears that jump into one young lass’s eyes – as she relives her own story, right there on the stage. I am touched as I realise she is voicing her truth.

The performance weaves together several narratives and incidents, with a certain sense of light and harmony. There is a unified, joyous energy that bursts from the cast throughout the performance – it is obvious that they have poured their hearts and souls into it. The cast members offer us a glimpse into their souls – paving the way for us to peer into our own.

Introspective, humorous, illuminating and relatable by turn, Chance to Ignite showcases the beauty of being both a young woman and ultimately a human being in the world.

Chance to Ignite

This post has also been published on NZ Entertainment Podcast.

Image © Massive Theatre Company / Eventfinda


Sweeney Todd

Dark and delightful.

NZ Opera’s Sweeney Todd: The Demon Barber of Fleet Street took me by surprise. It’s the fifth opera I have watched to date, the first one I have seen presented in English, and the first that thrilled me from start to finish.

When we settled into our plush seats, my eyes saw a simple set – but when the music and show began, I felt a curious sensation; I was no longer on land, but at sea. The luring music of the orchestra and chorus were as rippling waves in a dangerous ocean, surging with secrets that begged to be told. In the opening scene, I saw not a costumed cast, but living ghosts rising from the ground …

Many things come together to make the show what it is. Those accustomed to NZ Opera’s high standards will expect nothing less, and I am certainly once again impressed. Costumes, make-up and the simple but convincing set leave little need for imagination to make the world of Sweeney Todd feel too real for comfort.

As the program writely says – it is indeed “a journey from darkness to illuminated darkness”, brilliantly achieved through the use of contrast. One never escapes darkness throughout the night, but if black is a colour, one sees its many tones and shades, and thus revels in its startling beauty.

Steven Sondheim’s clever lyrics are a pure delight to take in, as is Johanna’s irresistible birdsong (Amelia Barry). The lively Mrs Lovett has me hooked from the time she provides a hearty, flour-dusted whiff of the “worst pies in London” (Antoinette Halloran). Todd’s unrelenting cold hands bring necessary chills and truly, I cannot imagine a better rendition of his role (Teddy Tahu Rhodes).

Darkness builds like a castle of waves as the show progresses – when Tobias goes through the horror of finding a fingernail and other human identifiers in his pie, I am right there with him in his terrible pit of revulsion. Cascading sound and the effective use of stage lights render me hot and cold at once, and I find myself drawing my scarf closer around my body; needing, somehow, a certain reassurance even as I revel in the masterful delivery of this violent tale.

I won’t be hungry for pie for a while, but I am certainly looking forward to my next serving of opera / theatre.

Verdict: An impressive performance by way of dark intrigue topped with a golden crust of spine-tingling humour and exemplary design. A feast which scares and beckons … by all means have your dinner, but leave some room for pie!

Sweeney Todd: The Demon Barber of Fleet Street – showing till 24 September 2016 at the Civic Theatre in Auckland. Don’t miss it.

See NZ Opera website for dates and times for Wellington and Christchurch shows.

This post has also been published on NZ Entertainment Podcast.

Images © David Rowland